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In 1922, Meyerhold staged his first Constructivist
performance. This was of The Magnanimous Cuckold
by the Belgian playwright Fernand Crommelynk. Popova's
three-dimensional, bare-wood set stood alone on an
otherwise bare stage. Note the windmill blades in
the upper right of the construction, which were meant
to remind the audience of the play's Flemish origins.
The actors in this photograph are carefully placed,
and they worked together in a remarkably rhythmic
production.
For video clips of actors rehearsing Meyerhold's
biomechanical exercises, click
here. You will need the QuickTime
Movie player.
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