Commedia dell'arte:
Alexandre
Benois (1870-1960)
was the artistic moving force behind the World of Art
movement. It originated in a circle of like-minded friends
who dubbed themselves the "Nevsky Pickwickians", and they
devoted themselves to rescuing those artistic traditions
that had been neglected or denigrated by the Wanderers.
Rather than trying to create a purely Russian art, they
opened themselves to the best of contemporary European
painting, and they promoted the pictorial heritage of
the Russian middle ages and 18th century. The culmination
of the World of Art group's activities, was the publication
of the luxurious journal of the same name which was published
between 1898-1904. This journal was the leading organ
for the communication of modern ideas on art as a form
of mystical experience. Its pages were open to the leading
symbolist writers, and its splendid color illustrations
reproduced the work of contemporary Russian painters as
well as leading practitioners of Art Nouveau from Western
Europe. Benois was one of the journal's leading critics
(for a sample of his critical writing, see John Bowlt,
"Russian Art of the Avant Garde" pp. 3-6), and one of
his particular interests was the tradition of the Italian
A commedia dell'arte, which he promoted both in his artistic
work--as in this gouache of 1905--and in his criticism.
This interest would culminate in his designs for the Ballets
Russes production of Petrushka
in 191. We will now examine the next major movement that
influenced the development of Russian theater, the Avant-Garde.